Curtis Mayfield
| Curtis Mayfield | |
|---|---|
 Curtis Mayfield performing for Dutch television in 1972 |
|
| Background information | |
| Birth name | Curtis Lee Mayfield |
| Born | June 3, 1942 , United States |
| Died | December 26, 1999 (aged 57) , United States |
| Genres | jazz, soul, rhythm and blues, funk, Chicago soul, psychedelic soul |
| Occupations | singer-songwriter, record producer, multi-instrumentalist |
| Instruments | vocals, guitar, bass, piano, saxophone, drums |
| Years active | 1958–1999 |
| Labels | Curtom, Warner Bros., Rhino |
| Associated acts | The Impressions, Jerry Butler |
| Notable instruments | |
| Fender Stratocaster | |
Curtis Lee Mayfield (June 3, 1942 – December 26, 1999) was an American soul, rhythm and blues, and funk singer, songwriter, and record producer best known for his anthemic music with The Impressions and composing the soundtrack to the blaxploitation film Super Fly. From these works and others, he is highly regarded as a pioneer of funk and of politically conscious African-American music.[1][2] He was also a multi-instrumentalist who played the guitar, bass, piano, saxophone, and drums.
Contents |
Early years and The Impressions
Born on June 3, 1942 in Chicago, Illinois, Mayfield was the son of Marion Washington and Kenneth Mayfield. Mayfield's father abandoned the family when Mayfield was five and his mother moved Curtis and his siblings into various Chicago projects before settling at the Cabrini-Green projects when Mayfield reached his teenage years. Mayfield attended Wells Community Academy High School. He dropped out of high school early to become lead singer and songwriter for The Impressions, then went on to a successful solo career. Perhaps most notably, Mayfield was among the first of a new wave of mainstream African-American R&B performing artists and composers injecting social commentary into their work.[1] This "message music" became extremely popular during the 1960s and 1970s.
Two significant characteristic distinguish Mayfield's sound from that of other performers. The first is that when he taught himself how to play guitar, he tuned the guitar to the black keys of the piano, giving him an open F-sharp tuning — F#, A#, C#, F#, A#, F# — that he used throughout his career.[3] Another key characteristic of Mayfield's sound is that he sang most of his lines in falsetto (not unique in itself, but other singers in his time mostly sang tenor), adding another flavor to his music.
Mayfield's career began in 1956 when he joined The Roosters with Arthur and Richard Brooks and Jerry Butler. Two years later The Roosters, now including also Sam Gooden, became The Impressions.[4] The band had one big hit with "For Your Precious Love". After Butler left the group and was replaced with Fred Cash,(a returning original Roosters member), Mayfield became lead singer, frequently composing for the band, starting with "Gypsy Woman". Their hit "Amen," an updated version of an old gospel tune, was included in the soundtrack of the 1963 MGM film Lilies of the Field, which starred Sidney Poitier. The Impressions reached the height of their popularity in the mid-to-late-'60s with a string of Mayfield compositions that included "Keep on Pushing," "People Get Ready", "It's All Right", "Woman's Got Soul", "Choice of Colors," "Fool For You," "This is My Country" and "Check Out Your Mind." Mayfield had written much of the soundtrack of the civil rights movement in the early 1960s, but by the end of the decade he was a pioneering voice in the black pride movement along with James Brown and Sly Stone. Mayfield's "We're a Winner", a Number 1 soul hit which also reached the Billboard pop Top 20, became an anthem of the black power and black pride movements when it was released in late 1967,[5] much as his earlier "Keep on Pushing" (whose title is quoted in the lyrics of "We're a Winner") had been an anthem for Martin Luther King, Jr. and the Civil Rights Movement.[6]
Mayfield was a prolific songwriter in Chicago even outside his work for The Impressions, writing and producing scores of hits for many other artists. He also owned the Mayfield and Windy C labels which were distributed by Cameo-Parkway, and was a partner in the Curtom label (first independent, then distributed by Buddah then Warner Bros and finally RSO.)
Solo career
In 1970, Mayfield left The Impressions and began a solo career, founding the independent record label Curtom Records. Curtom would go on to release most of Mayfield's landmark 1970s records, as well as records by the Impressions, Leroy Hutson, The Staple Singers, Mavis Staples, and Baby Huey and the Babysitters, a group which at the time included Chaka Khan. Many of these records were also produced by Mayfield.
The commercial and critical peak of his solo career came with his music album Super Fly, the soundtrack to the blaxploitation film of the same name, and one of the most influential albums in African-American history. Unlike the soundtracks to other blaxploitation films (most notably Isaac Hayes' score for Shaft), which glorified the ghetto excesses of the characters, Mayfield's lyrics consisted of hard-hitting commentary on the state of affairs in black, urban ghettos at the time, as well as direct criticisms of several characters in the film. Bob Donat wrote in Rolling Stone Magazine in 1972 that while the film's message "was diluted by schizoid cross-purposes" because it "glamorizes machismo-cocaine consciousness... the anti-drug message on [Mayfield's soundtrack] is far stronger and more definite than in the film." Along with Marvin Gaye's What's Going On and Stevie Wonder's Innervisions, this album ushered in a new socially conscious, funky style of popular soul music. He was dubbed 'The Gentle Genius' to reflect his outstanding and innovative musical output with the constant presence of his soft yet insistent vocals. The single releases "Freddie's Dead" and "Super Fly" both sold over one million copies each, and were awarded gold discs by the R.I.A.A.[7]
Super Fly brought success that resulted in Mayfield being tapped for additional soundtracks, some of which he wrote and produced while having others perform the vocals. Gladys Knight & the Pips recorded Mayfield's soundtrack for Claudine in 1974, while Aretha Franklin recorded the soundtrack for Sparkle in 1976. Mayfield worked with Mavis Staples on the 1977 soundtrack for the film A Piece of the Action. He was in danger of overreaching himself being writer, producer, performer, arranger and businessman but seemed to cope and still produce a remarkable output.
One of Mayfield's most successful funk-disco meldings was the 1977 hit "Do Do Wap is Strong in Here" from his soundtrack to the Robert M. Young film of Miguel Piñero's play Short Eyes. In his 2003 biography of Curtis Mayfield, titled "People Never Give Up", author Peter Burns noted that Curtis has 140 songs in the Curtom vaults. Burns indicated that the songs maybe already completed or in the stages of completion, so that they could then be released commercially. These recordings include "The Great Escape", "In The News", "Turn up the Radio", "Whats The Situation?" and one recording labelled "Curtis at Montreux Jazz Festival 87". Two other albums, featuring Curtis Mayfield present in the Curtom vaults and as yet unissued are, a 1982/83 live recording titled "25th Silver Anniversary" (which features performances by Curtis, The Impressions and Jerry Butler) and a live performance, recorded in September 1966 by The Impressions titled 'Live at the Club Chicago'.
In later years, Mayfield's music would be featured in the movies I'm Gonna Git You Sucka, Hollywood Shuffle, and Friday (though not on the soundtrack). Mayfield was also in the 1977 movie Short Eyes.
Later years
Mayfield was active throughout the 1970s and 1980s, though he had a somewhat lower public profile. On August 13, 1990, Mayfield was paralyzed from the neck down after stage lighting equipment fell on him at an outdoor concert at Wingate Field in Flatbush, Brooklyn, New York.[8] The accident set him back, but Mayfield forged ahead. He was unable to play guitar, but he wrote, sang and directed the recording of his last album, New World Order. Mayfield's vocals were painstakingly recorded, usually line-by-line while lying on his back.
Mayfield received the Grammy Lifetime Achievement Award in 1995. In February, 1998, he had to have his right leg amputated due to diabetes. Mayfield was inducted into the Rock & Roll Hall of Fame on March 15, 1999. Health reasons prevented him from attending the ceremony, which included fellow inductees Paul McCartney, Billy Joel, Bruce Springsteen, Dusty Springfield, George Martin, and 1970s Curtom signee and labelmate The Staple Singers.
His last appearance on record was with the group Bran Van 3000 on the song "Astounded" for their album Discosis, recorded just before his death and released in 2001.
Death
Curtis Mayfield died on December 26, 1999 at the North Fulton Regional Hospital in Roswell, Georgia due to his steadily declining health subsequent to his paralysis. He is remembered as a modest man with great musical insight and sensitivity.
Legacy
Mayfield has left a remarkable legacy and is remembered for his introduction of social consciousness into R&B and for pioneering the funk style. Many of his recordings with the Impressions became anthems of the Civil Rights Movement in the 1960s, and his most famous album, Super Fly, is regarded as an all-time great that influenced many and truly invented a new style of modern black music (#69 on Rolling Stone's list of the 500 greatest albums).
As a member of The Impressions, Mayfield was posthumously inducted into the Vocal Group Hall of Fame in 2003.
In 2004, Rolling Stone magazine ranked Mayfield #99 on their list of the 100 Greatest Artists of All Time.[9]
Chart hits by other artists written by Mayfield
Mayfield was a prolific composer. In addition to writing or co-writing almost all of the hit singles he had as a member of The Impressions and as a solo artist, Mayfield also wrote (and sometimes produced) numerous hits for other artists. The following is a list of chart hits, arranged chronologically, that were written (or co-written) by Curtis Mayfield and performed by artists other than Mayfield and/or The Impressions:
| Year | Title | Artist | U.S. R&B[10] | U.S. Pop[10] | UK[11] |
|---|---|---|---|---|---|
| 1960 | "He Will Break Your Heart" | Jerry Butler |
|
|
|
| 1961 | "Find Another Girl" | Jerry Butler |
|
|
|
| 1961 | "I'm A-Telling You" | Jerry Butler |
|
|
|
| 1963 | "Mama Didn't Lie" | Jan Bradley |
|
|
|
| 1963 | "Mama Didn't Lie" | The Fascinations |
|
|
|
| 1963 | "The Monkey Time" | Major Lance |
|
|
|
| 1963 | "Hey Little Girl" | Major Lance |
|
|
|
| 1963 | "Rainbow" | Gene Chandler |
|
|
|
| 1963 | "Found True Love" | Billy Butler & The Four Enchanters |
|
|
|
| 1963 | "Man's Temptation" | Gene Chandler |
|
|
|
| 1964 | "Think Nothing About It" | Gene Chandler |
|
|
|
| 1964 | "Um, Um, Um, Um, Um, Um" | Major Lance |
|
|
|
| 1964 | "Just Be True" | Gene Chandler |
|
|
|
| 1964 | "Gotta Get Away" | Billy Butler & The Enchanters |
|
|
|
| 1964 | "It Ain't No Use" | Major Lance |
|
|
|
| 1964 | "Girls" | Major Lance |
|
|
|
| 1964 | "It's Too Late" | Walter Jackson |
|
|
|
| 1964 | "Nevertheless" | Billy Butler & The Chanters |
|
|
|
| 1964 | "Need To Belong" | Jerry Butler |
|
|
|
| 1964 | "Bless Our Love" | Gene Chandler |
|
|
|
| 1964 | "Rhythm" | Major Lance |
|
|
|
| 1965 | "Rainbow '65 (Part I)" | Gene Chandler |
|
|
|
| 1965 | "Sometimes I Wonder" | Major Lance |
|
|
|
| 1965 | "I Can't Work No Longer" | Billy Butler & The Chanters |
|
|
|
| 1965 | "Come See" | Major Lance |
|
|
|
| 1965 | "What Now" | Gene Chandler |
|
|
|
| 1965 | "Ain't It a Shame" | Major Lance |
|
|
|
| 1965 | "Nothing Can Stop Me" | Gene Chandler |
|
|
|
| 1965 | "(I've Got A Feeling) You're Gonna Be Sorry" | Billy Butler |
|
|
|
| 1965 | "You Can't Hurt Me No More" | Gene Chandler |
|
|
|
| 1966 | "He Will Break Your Heart" | The Righteous Brothers |
|
|
|
| 1966 | "Say It Isn't So" | The Fascinations |
|
|
|
| 1967 | "Girls Are Out To Get You" | The Fascinations |
|
|
|
| 1967 | "I'm In Love" | The Fascinations |
|
|
|
| 1967 | "Danger! She's A Stranger" | The Five Stairsteps |
|
|
|
| 1968 | "Don't Change Your Love" | The Five Stairsteps |
|
|
|
| 1969 | "Baby Make Me Feel So Good" | The Five Stairsteps |
|
|
|
| 1969 | "We Must Be In Love" | The Five Stairsteps |
|
|
|
| 1969 | "I Thank You Baby" | June & Donnie (Donny Hathaway & June Conquest) |
|
|
|
| 1969 | "Stay Close To Me" | The Five Stairsteps |
|
|
|
| 1970 | "Gypsy Woman" | Brian Hyland |
|
|
|
| 1970 | "Stay Away From Me (I Love You Too Much)" | Major Lance |
|
|
|
| 1970 | "Must Be Love Coming Down" | Major Lance |
|
|
|
| 1970 | "I'm So Proud" | The Main Ingredient |
|
|
|
| 1972 | "I Thank You" Reissue of 1969 recording "I Thank You Baby", with shorter title and modified artist credit. |
Donny Hathaway & June Conquest |
|
|
|
| 1974 | "{It's Gonna Be} A Long, Long Winter" | Linda Clifford | 75 | - | - |
| 1974 | "On and On" (from Claudine) | Gladys Knight & The Pips | 2 | 5 | - |
| 1974 | "Um, Um, Um, Um, Um, Um" New version |
Major Lance |
|
|
|
| 1975 | "Let's Do It Again" | The Staple Singers |
|
|
|
| 1975 | "He Don't Love You (Like I Love You)" | Tony Orlando & Dawn |
|
|
|
| 1976 | "New Orleans" | The Staple Singers |
|
|
|
| 1976 | "Something He Can Feel" | Aretha Franklin | 1 | 28 | - |
| 1976 | "Jump" | Aretha Franklin | 17 | 72 | - |
| 1976 | "Hooked On Your Love" | Aretha Franklin | 17 | - | - |
| 1976 | "Look Into Your Heart" | Aretha Franklin | 10 | 82 | - |
| 1977 | "A Piece Of The Action" | Mavis Staples |
|
|
|
| 1977 | "It's Too Late" New version |
Walter Jackson |
|
|
|
| 1977 | "Curious Mind (Um, Um, Um, Um, Um, Um)" | Johnny Rivers |
|
||
| 1978 | "More Than Just A Joy" | Aretha Franklin | 51 | - | - |
| 1979 | "Between You Baby And Me" | Linda Clifford | 14 | - | - |
| 1983 | "I'm So Proud" | Deniece Williams | 28 | - | - |
| 1984 | "One Love/People Get Ready" | Bob Marley & The Wailers | - | - | 5 |
| 1985 | "People Get Ready" | Jeff Beck & Rod Stewart | - | 48 | 49 |
| 1992 | "Giving Him Something He Can Feel" | En Vogue | 1 | 6 | 16 |
| 1994 | "I'm So Proud" | The Isley Brothers | 64 | - | - |
* Billboard magazine did not publish an R&B chart during 1964; these chart positions are from Cashbox magazine.
** This hit charted three to four years later in the UK.
Discography
Studio albums
- Curtis (1970)
- Roots (1971)
- Super Fly (1972)
- Back to the World (1973)
- Got to Find a Way (1974)
- Sweet Exorcist (1974)
- There's No Place Like America Today (1975)
- Give, Get, Take and Have (1976)
- Short Eyes (1977)
- Never Say You Can't Survive (1977)
- Do It All Night (1978)
- Heartbeat (1979)
- Something to Believe In (1980)
- The Right Combination (with Linda Clifford) (1980)
- Love is the Place (1982)
- Honesty (1983)
- We Come in Peace with a Message of Love (1985)
- Take It to the Streets (1990)
- New World Order (1997)
Live albums
- Curtis/Live! (1971)
- Curtis in Chicago (1973)
- Live in Europe (1988)
- Live at Ronnie Scott's (1988)
Compilations
- The Anthology 1961-1977 (1992)
- People Get Ready: The Curtis Mayfield Story (1996)
- The Very Best of Curtis Mayfield (1997)
- Soul Legacy (2001)
- Greatest Hits (2006)
References
- ↑ 1.0 1.1 Curtis Mayfield, Rock and Roll Hall of Fame and Museum. "…significant for the forthright way in which he addressed issues of black identity and self-awareness. …left his imprint on the Seventies by couching social commentary and keenly observed black-culture archetypes in funky, danceable rhythms. …sounded urgent pleas for peace and brotherhood over extended, cinematic soul-funk tracks that laid out a fresh musical agenda for the new decade." Accessed on line November 28, 2006.
- ↑ Soul icon Curtis Mayfield dies, BBC News, December 27, 1999. "Credited with introducing social comment to soul music". Accessed on line November 28, 2006.
- ↑ Carpenter, Bill. Uncloudy Days: The Gospel Music Encyclopedia page 273 CMP Media, 2005 ISBb 0879308419 Accessed via Google Books November 20, 2008
- ↑ Soul icon Curtis Mayfield dies, BBC News, 27 December 1999. Accessed on line 28 November 2006.
- ↑ Curtis Mayfield biography, Internet Movie Database (IMDB). "…1968 hit 'We're A Winner,' became a civil rights anthem" Accessed on line 28 November 2006.
- ↑ Richard Phillips, Curtis Mayfield dies: A modest man of great musical talent and sensitivity, World Socialist Web Site (International Committee of the Fourth International), January 24, 2000. Accessed on line November 28, 2006.
- ↑ Murrells, Joseph (1978). The Book of Golden Discs (2nd ed.). London: Barrie and Jenkins Ltd. p. 316. ISBN 0-214-20512-6.
- ↑ Tobler, John (1992). NME Rock 'N' Roll Years (1st ed.). London: Reed International Books Ltd. p. 473. CN 5585.
- ↑ "The Immortals: The First Fifty". Rolling Stone Issue 946. Rolling Stone. http://www.rollingstone.com/news/story/5939214/the_immortals_the_first_fifty.
- ↑ 10.0 10.1 Allmusic.com - Charts & Awards
- ↑ Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. ISBN 1-904994-10-5.
External links
- Curtis Mayfield at the Internet Movie Database
- Curtis Mayfield at Allmusic
- "Curtis Mayfield and The Impressions perform 'We're a Winner' " for the WGBH series, Say Brother
- Rolling Stone's 100 Greatest Artists of All Time
- Obituary from Socialist Action
- BBC Obituary
- RBMA Radio On Demand - Across 135th Street - Volume 10 - Curtis Mayfield Tribute - Chairman Mao (RBMA, Egotrip)
- Entry in New Georgia Encyclopedia
- Curtis Mayfield at Find a Grave
|
||||||||||||||